André Weckmann is the author of multiple works: poetic, romantic, satiric works... written in three languages: Alsacian, French, German.
André Weckmann was born in 1924 in Steinbourg, Alsace.Forcibly incorporatedintotheWehrmachtin1943,woundedinRussia,thena deserter,hehidesinAlsaceat theendof thewar.For thisauthor,thequestionof languageisat the heart ofhis work.
AndréWeckmannlikes tosay heiswherewedonot expect him,acommitted poet-ormad-whodoesnot wantto be limited nor restricted.Apoetoflove, lovethatbesides,he says, isalsoa commitment.Thisfilmisaportraitto approach andlovehis work.
Technical data :
duration
52 minutes
camera
Daniel Coche
sound
Richard Harmelle
editing
Matthieu Boetsch
music
Pierre Zeidler
mixer
Marc Rodicq
texts read by
Emma Guntz, Tobias Kempf, André Weckmann
a coproduction
dora productions / France 3 Alsace
grants
Centre National de la Cinématographie
Centre National du Livre, Communauté urbaine de Strasbourg, Commune de Steinbourg, Département du Bas-Rhin, Drac Alsace, Région Alsace.
The work of Emile Gallé (1846-1904) is one of the essential references in Art Nouveau. The master of the "Ecole de Nancy" was a glassmaker, a furniture designer, a ceramist, but also a committed humanist and a well-known botanist who has left an important scientific work.
After a tortuous journey that began in Ukrainian mountains, African cities or Sri Lankan countrysides, David, Rémy, Lilianne, Balan and Uma have arrived on the banks of the Rhine.
Every year, in Munster, in the region of Alsace, a ball with a strange name takes place: the Widows' Ball. Disguised and masked, women are the ones who invite men to the dance.
A documentary about people wearing uniforms or costumes. Who are they with, and who are they without their second skin? The film explores these questions through different characters: a policeman, a priest, a clown, a drag queen...