The work of Emile Gallé (1846-1904) is one of the essential references in Art Nouveau. The master of the "Ecole de Nancy" was a glassmaker, a furniture designer, a ceramist, but also a committed humanist and a well-known botanist who has left an important scientific work.
Every year, in Munster, in the region of Alsace, a ball with a strange name takes place: the Widows' Ball. Disguised and masked, women are the ones who invite men to the dance.
Anne is an artist and a painter, but Anne has stopped to paint. Anne decides to go back to work again and the director decides to film her return to work, her evolution.
Just like a note book full of words and pictures covering the years from 2000 to 2006, this film bears witness to groups of asylum seekers drifting through Strasbourg.
